The Past, Present, & Future: A Book of Poetry – Cody McCullough

Cody McCullough’s debut collection of poetry, THE PAST, PRESENT, & FUTURE, delves into the fleeting nature of life viewed through the prism of time. Separated into three main collections, the work touches on topics ranging from the essence of life, to family relationships, to the natural world. Featuring poems such as THE TALL FIRS ARE DANCING TODAY and THE COOL MORNING AIR, the entire collection includes a total of 73 poems written in free verse. Through his unique style, McCullough takes the reader on a journey from the beginning of existence, to the end of time, and everywhere in between.

It’s a great pleasure today to introduce, remind, or reacquaint, the reader with Cody McCullough’s blog, and new book of poetry.  I’ve been a fan of Cody’s writings for a while now, and always enjoy my visits over at his site.  This collection written in free verse is his usual intriguing work.

As with the title, it seems only fitting to break down each part in turn, beginning, adventurously, with the Past:

Here, we have a considered look at childhood memories, of a fleeting time which the author does well to encapsulate the feeling of time passing.  This section is an exploration of the learning experience of the formative years, and of the memories that we hold all our lives.  There is something melancholy and a feeling of the lost, or perhaps lostness.

These poems – as with the other two parts – are mixed with writings of history, of past generations and a thoughtful look at a perspective of a universal past as well as the personal. The passing of time into history, the temporary, and how that, as well as the personal, is recalled, and remembered differently. Continue reading “The Past, Present, & Future: A Book of Poetry – Cody McCullough”

SK’s Browning DTs

Apologies in advance for the attention that this blog is paying to the Dark Tower series but it has been taking up all my reading time of late as I don’t wish to leave it unfinished when I leave the hemisphere behind again.  And there are far too many other books that I want to take back with me instead of  a half finished series.

Today’s post is not just reading for those who have journeyed – or are so doing – through these books,  Robert Browning’s, Childe Roland to the Dark Tower Came, is a fantastic read on its own, but as it inspired, together with spaghetti westerns and The Lord of the Rings, King’s monumental series its worth highlighting here.

I’ve posted the first six stanzas of the thirty-five that make up this epic poem, and it seems appropriate to leave a link to the complete poem from StephenKing.com.  Pleasurable reading and pleasant nights as always dear reader.

I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby. Continue reading “SK’s Browning DTs”

Gloaming Thoughts

The family snooze away in bed, and I write late into the night.  A beer on the go, and a nocturnal cool settles subtly on my bare arms.

Books are, of course, my chosen subject to write about, a topic that has so many facets, often hidden in plain sight, and so much scope.

Yet as I catch up with the notes on my recent reads, the memories of books long given away take over.

In this late and gently expiring hour, the recollections come thick and fast.  The night always makes one introspective, especially for the past.

On this particular night my eye – and hand – run down the imaginary bookshelf of recall, mixed with different eras of my collecting, the covers vivid and smooth.

An old Famous Five cover from a nearly complete set purchased years ago, the variously tactile cover of the hardback edition of Endymion Spring…

An exploration of architecture in Egyptian temples, and the stark bleakness of outer space, adventuring astronauts lost to everything but themselves.

It’s these times I value.  The unique wanderings in a labyrinthine world of words, reminding me of literary corridors I will, perhaps, walk down again…

Whether in contemplation or purposely.

Reminders of books moved on, in necessity or wrongly thought of as outgrown, treasures lost to me in haste.

Always these ghosts come at night, I like it that way, I am forever grounded in their literary shadow.  Elusive yet bound to my heart.

 

*Image found at Pixabay

High Windows – Philip Larkin

When Philip Larkin’s High Windows first appeared, Kingsley Amis spoke for a large and loyal readership when he wrote: ‘Larkin’s admirers need only be told that he is as good as ever here, if not slightly better’.

Like Betjeman and Hardy, Larkin is a poet who can move a large audience – to laughter and tears – without betraying the highest artistic standards.

When reading Philip Larkin’s poems during my A-levels I never properly appreciated his poems, which is perhaps to be expected at such an age.   Now approaching his work with more life – and reading – experience there is something about his writing that makes it both highly pleasurable and challenging to read.

High Windows deals in some strong stuff; death, failure, and aging are constant (and looming) motifs threaded throughout the book.  It’s a sobering composition but utterly compelling which drove me on to read and reread each poem multiple times.

There is a lot of pleasant imagery also, to contrast with the uncomfortable themes which at the same time amplifies them. A real feeling of nostalgia bursts forth, the heart-warming and traditional (villages, seaside memories etc.), this is shot through with jarring images of decay and threats of hell. Larkin does enough to keep the reader off balance whilst examining the reality of life. Continue reading “High Windows – Philip Larkin”

Friday Night at the Royal Station Hotel

Inspiration failing me of late, instead of writing anything vaguely original here is a poem from Philip Larkin, which I recently came across in his collection, High Windows.

Friday Night At The Royal Station Hotel

Light spreads darkly downwards from the high
Clusters of lights over empty chairs
That face each other, coloured differently.
Through open doors, the dining-room declares
A larger loneliness of knives and glass
And silence laid like carpet. A porter reads
An unsold evening paper. Hours pass,
And all the salesmen have gone back to Leeds,
Leaving full ashtrays in the Conference Room.

 

In shoeless corridors, the lights burn. How
Isolated, like a fort, it is –
The headed paper, made for writing home
(If home existed) letters of exile: Now
Night comes on. Waves fold behind villages.

* Image found on Pixabay

Precipitate Companionship

As it has been raining a lot here recently, it brings to mind one of those thoughts that is made for just such days.  The creative flows when the rainwater does…

Precipitate Companionship

The ‘pock’ sounds on the fabric of the umbrella,
jarringly unlike the gentle susurrus of those
which thud on the ground.
Surroundings tingle all the senses,
the rising scents
the tangy taste on the air
the cleansed colours.

The walk is a glorious thing
especially shared with the closeness of a companion,
shoulders sometimes touching,
Perhaps an entwining
of hands on handle
A sense of total togetherness, intimate,
through delicate and momentary caresses.

The way that makes one feel
in no particular rush to be anywhere
time slackened
just existing
under the brolly,
a closed world,
Shared solely between two.

 

 

*Picture found for free at wallpaperbetter.com

Natural Literature

Norwegian poetry is not something I’ve come across much before, but through my reading of Northern Light: Norway Past and Present, A Critical Analysis, I’ve been widening my poetical horizons.  Olaf Bull’s Metope is my pick today as I really like the poem, and the author had associations with James Joyce and his writing of Finnegans Wake and Shakespeare and Company (the original one), to keep the literary theme going.

METOPE

You I would in rhythms fondly rivet tight!
You I would hold deep and lasting in the eternal
young alabaster of the poem’s flight!
You day-dreamer, moved by the sun! With your gaze
chastely turned toward evening’s pale gold, meekly
you turn a heaven towards another, as bathed
in light and tenderness and secrecy!
I would gladly forfeit verse’s every trope
were one thing in my power: to hew firm-lined
in memory’s stubborn stone a smooth metope
that could depict your shy, frail-contoured mind!

We stroll through moist and yielding ebb-tide sand! Your ear
takes in the plashing waves of the summer sea!
Devoutly we feel that the evening stillness here
ever outward shifts its sounding boundary!
A string of fading chimes that’s slowly shrinking
behind blushing groves and gold church spires again –
and softly gleaming air-waves that are sinking
like streams of sun from mountains – which remain!

The ridges all turn blue. The stars fill in the skies!
The last clouds hasten home at end of day!
The meadow is at prayer – from air’s ebb tide will rise
mighty Arcturus! Behind grey stone walls sighs
a slight breeze through rye’s fur of silver grey!
And through your gaze a warm, deep animation –
in a dark blur of blue the eye can find
a drifting droplet, honey moistly gleaming,
and quietly I ask you: ‘Friend – what’s on your mind?’ Continue reading “Natural Literature”