Writing in the last week has had a different sort of soundtrack, there hasn’t been much in the way of music coming through my speakers, as I have been following all manner of different paths from; film analysis, to the situation with the Italian government, and the bad news of the EU trying to pass Article 13, scientific testing of free will, and the wacky world of Flat Earthers. Forcing myself back onto the music front, the gold started flowing pretty much instantly with this gem:
I first came across this funky tune thanks to its brief appearance on The Wire. Then it was featured more prominently on the closing credits of The Deuce, another David Simon (together with George Pelecanos) created show which documents the legalisation and rise of the porn industry in New York, as well as the accompanying drugs, real estate booms, police corruption and the connected violence. The first season admittedly feels like a – quality – prequel but I expect big things from season two. Watching this as it came out was great, the whole of last year was exceptional for quality television and nothing beat grabbing a few beers and having a TV night with Tom, catching up on whatever had previously come out over the weekend, in the US.
The tune took me back to a totally different time and place – only eight months ago – but so much has changed. Thinking back to that period now, it was such a good time and discussing the show as the end credits theme rolled, it was always interesting to get an alternate take on what we just saw. Discussion was made more insightful by a few beers, of course, but I don’t think I have been challenged in such a sustained way by myself, my peers, or film and TV before or since. Continue reading “Music to Write By #3 – Assume the Position/(Don’t Worry) If There’s A Hell Below, We’re All Going To Go”