This illuminating, disturbing, highly original book shows how modern art reflects a wholeculture – a dying culture. Dr Rookmaaker outlines the various steps, the decisive choices that have been made, which have led to the modern movement. But the steps have not been made in isolation from socety generally. They depend on a worldview, particualrly on the values and presuppositions of the Enlightenment, the Age of Reason, which have made our culture what it is today.
With his analysis of both well-known and lesser-known works of art, his broad understanding of contemporary cultures and sub-cultures, pop and op, happenings and hippies, jazz and beat, protest and revolution, Dr Rookmaaker builds up a message for our times which may be devestating, but is also profoundly helpful and positive. He sees above all the tremendous potential and relevence of Christian attitudes, to man, to society, to freedom, to the whole of reality, as the basis for a way ahead in the future.
It is always a pleasure to get a particular insight into art, and especially paintings that have passed my ignorant self by. Reflecting on this book, parts of it are dated yet it is an intriguing read, especially if you have your internet browser of choice handy for referencing the artwork mentioned but not shown.
Like the proverbial game of football, this is a book of two halves. I really enjoyed the exploration of art through the ages, the way it was framed, and the stories the paintings tell, as well as those of the artists. On the downside, there were plenty of bones of contention I had with some of Rookmaaker’s assertions when it came to religion and science.The book was first published in the 70’s, and it has dated to varying degrees. Mainly though I spent an inordinate amount of time looking for the bit about Émile Zola, which was promised in a chapter and never appeared, which was a disappointment.
My main gripe with the author’s arguments were the plentiful attacks on science, Rookmaaker bizarrely complains that science has reduced reality to the things we can see and leaving out explanations that lack a naturalistic or rationalistic reason. No offer of how one would test for those explanations is forthcoming, unsurprisingly. Continue reading “Modern Art an the Death of Culture – H. R. Rookmaaker”
