A Little History of Archaeology – Brian Fagan

What is archaeology? The word may bring to mind images of golden pharaohs and lost civilizations, or Neanderthal skulls and Ice Age cave art. Archaeology is all of these, but also far more: the only science to encompass the entire span of human history—more than three million years!

This Little History tells the riveting stories of some of the great archaeologists and their amazing discoveries around the globe: ancient Egyptian tombs, Mayan ruins, the first colonial settlements at Jamestown, mysterious Stonehenge, the incredibly preserved Pompeii, and many, many more. In forty brief, exciting chapters, the book recounts archaeology’s development from its eighteenth-century origins to its twenty-first-century technological advances, including remote sensing capabilities and satellite imagery techniques that have revolutionized the field. Shining light on the most intriguing events in the history of the field, this absolutely up-to-date book illuminates archaeology’s controversies, discoveries, heroes and scoundrels, global sites, and newest methods for curious readers of every age.

Part of the Little Histories series, A Little of History of Archaeology is a good overview of the discipline.  As befitting of the subject, Fagan slowly uncovers the beginnings of the pursuit from King Charles of Naples, at Herculaneum, up until the present day.  The enthusiastic introduction sets the book up nicely, throwing in some choice, lesser known facts to hook the reader and begin a globe-trotting journey through time.

We start the journey proper in Egypt, and travel all the way through to the present day, seeing the gradual honing of the archaeological craft, from haphazard digs chasing treasures – real or imagined – to the more careful, professional approach which has led us to a deep and ever-changing understanding of the past.

Throughout we meet some fascinating characters; adventurers, vicars, museum curators, army officers, and the like who all contribute in some way to the learning of an art and the teasing of knowledge, quite literally out of the ground, through their failures successes and frustrations.  The writing style is very light and everything is set out in a simple manner giving the reader an engrossing narrative that can be dipped in and out of at anytime without undue confusion.

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Moondial – Helen Cresswell

Minty has heard stories of strange happenings in the big house across the road from her Aunt’s cottage.  And when she walks through the gates, the lodge-keeper knows it is Minty who holds the key to the mysteries.  She only has to discover the secret power of the moondial, and she will be ready to carry out the dangerous mission that awaits her…

As a child I must have watched the television show half a dozen times so having been given the book by my parents a couple of Christmases ago, I have made sure to hold onto it.  Having read through the story twice so far and thoroughly loving it both times, it surely deserves more attention, especially for the younger generations.

The Nostalgia factor aside, the book itself holds up remarkably well.  It’s a beautifully told story, full of haunting set pieces (one of which was quite sinister and sent a bit of a shiver up my spine, which is a rare thing to happen), and it positively oozes charm and a sense of adventure and discovery.

Things gets going quickly and thickly layers on a sense of the secrets waiting to be discovered.  The prologue starts off this trend by setting up the reader with that feeling of solitariness and an encouragement to visualise the described surroundings.  Once involved with the imagining, the vulnerability and aloneness of the night are very effective in the scene setting. It’s a simple step to immerse one’s self in the atmosphere of the book after that.

This is a great read for all ages, a wonderful story of place and time, of ages, and the feel of history set in physical stone, and how that is an echo both forwards and backwards in time to our age.  The contemplation and interpretation of ornamental garden decorations has never been so interesting and has surely inspired the imagination of many a writer.  The part it plays within the story is both puzzling and charming.  Without giving any spoilers out ,the story itself manages to take in several strands both of present and past, and weave them in such a way as to give them equal time although the pressing story of the present isn’t as interesting.

 

A Month in the Country – J. L. Carr

A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years.

It’s been an utter pleasure rereading this splendid short book, heading back to 1920’s Oxgodby and its five hundred year old church painting. Reacquainting myself with the inhabitants, and a way of life lost to time reminded me of Carr’s evocative prose and the beauty of the English countryside.

This is a great story to get lost in – one which demands repeat readings be savoured – it really accentuates the little things in life, those wondrous things that surround us, yet seem hidden in plain sight until viewed in hindsight. There is a comforting sense of isolation here, a total delight to be immersed in.

The plot revolves around the methodical and gradual uncovering of a medieval wall painting and this also extends to the personalities of the  people.  As time moves on there is a slow exposing of both, as well as the social life of the village.  All this is played out in such a relaxed manner that the under the surface busyness is very subtly played out.

Birkin’s love for mechanisms and how the parts slot together are a fitting metaphor for how he sees the community and also in a literal sense of the time. There is a feeling of being on the cusp of changes in his life, in the rhythms of countryside and nature and how the industrial age is really starting to impact the isolated countryside.  It’s pleasurably melancholy and allows readers of any age to feel the loss of what once was.

 

Pintô Art Museum, Exterior

I love a good museum, especially one that is housed in a lovely building. On a Sunday living up to its name Crissy and I, took advantage of an offer from cousin-in-law (if that is the right term) Jerrold and girlfriend Kim to explore the Pinto Art Museum.

What a find it was! Entering through a small gated archway, I could have been mistaken for thinking I’d ended up in the Mediterranean countries.  The greenery and the whitewashed buildings were a world away from the glass and steel buildings of the everyday.  The addition of a little chapel near the entrance was a nice juxtaposition of historical art, leading as it would, to modern art.

I could find no information about the actual buildings but I think that adds to the aura of the place.  The relaxing atmosphere leaves the adventurer free to explore and stumble upon the pieces as haphazardly as one wishes. I imagine sitting for a time at the mini amphitheatre watching a play in the dusk breeze would be amazing.

With chairs and beds placed around, as well as some statues and sculptures to keep one satiated between galleries this is a truly wonderful place to seek out and appreciate nature as well as art.

 

More Bromley House Library

Whilst touring the library’s several floors, it was wonderful to see plenty of cosy reading nooks and comfy chairs (as well as the day’s papers) which had me in mind of one of the old Gentlemen’s clubs frequented by Sherlock Holmes or Bertie Wooster.

Pottering around we were told that Bromley House has one of only four meridian lines in England and for some reason I straddled it as if I was in two different time zones.  Serious amounts of books will make me do odd things, although in the olden days Nottingham would have been 4 minutes and 33 seconds behind Greenwich.

The history section is one of the most fascinating as the books are classified in the order received, so wandering around the piles I found some amusing shelf mates such as Stalin next to Gandhi and Florence Nightingale sat next to…Lucretia Borgia!  It was also great to see the British Sundial Society Library housed here too, which is certainly something I would love to go back to and discover.

 

Bromley House Library

After finishing The Secret Library: A Book-Lovers’ Journey Through Curiosities of History, I idly typed into my search engine of choice, ‘secret library Nottingham’ and was surprised by actually finding one. Bromley House Library is smack bang in the centre of town, its unassuming doorway sandwiched between a charity shop and a newsagent.  It was very much like finding the Book Cemetery in Barcelona á la The Shadow of the Wind.

Arriving for my tour – which can be taken every Wednesday at 2:30pm for the excellent price of £2 – this is the scene that first greets the visitor, from there I knew it was going to be a book lovers dream to wander around in.  I later found out that that staircase is only supported at top and bottom so only one person can ascend or descend at a time.

This magnificent old building, built in 1752 has held the library since 1822, the library was in fact established earlier, in 1816 and has now amassed around 40,000 books, including local author (with a truly awesome last name) Alan Sillitoe’s own personal library (not pictured to due to my shaky hands phone camera work that rendered most of my photos a shocking mess) and the oldest book is Dante’s Opera held, dating from 1578.

Due to Bromley House being a grade II listed building, a lot of original features are still to be seen dotted around the place which makes the feeling of history and the real library reading experience feel more real.  I fell in love with this place as soon as I entered and wandering around the building I saw so much, more of which in an upcoming post.

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Days of Reading – Marcel Proust

In these inspiring essays about why we read, Proust explores all the pleasures and trials that we take from books, as well as explaining the beauty of Ruskin and his work, and the joys of losing yourself in literature as a child.

Part of the challenge with Proust is finding plenty of time in which to become intimately involved with his approach to writing.  This is my first reading experience of P. and his style is impressively immersive and made me feel nostalgic for places  and a time I have never experienced.

Plenty of essays ramble on but P. prefers clear concise language whilst being able to digress at will, yet each meandering discovery the reader makes always – eventually – comes back to the original point but makes one feel richer for the detour.

It’s a joy to read, although it is understandable that Proust splits readers due to his technique.  This reader had to change his mindset and learn to soak up the ambience of the prose, rather than feeling I was getting somewhere with plot or idea like I usually would.  In that regard the first few pages were a grind but realising that the author was going to take his time puts the reader either resigns the reader to a long haul or to the appreciation of a slow meditation of life.

The book opens with an essay on John Ruskin’s contribution to the understanding and appreciation of art and architecture, especially inspired by Christianity.  How art in general echoes its greatness (when it is) through the centuries and reaches to us emotionally, each example studied is a communing with antiquity.  It’s a study of us as well as a celebration of what we can achieve through our own creativity.

The essays on childhood memories and in particular of reading books when the mind is still open to the most innocent wonder and imagination is gloriously evocative writing.  Proust appreciates how rereading books brings forth a tangible memory of his formative years, he mirrors the echoing of art down the ages with thoughts, of ideas from our past that define modern life; not to mention timeless characters, books and the universal joy for all seasons and people.